Simply put, the film delivers payload on every front one could hope for in a Video Nasty - score, atmosphere, carnage, shock value, and pure entertainment. 6“, created for the eye-impalement scene, drew inspiration from The Beatles’ 1967 song “ A Day in the Life.” The score also included an infusion of Caribbean melodies, which were intended to “pleasantly deceive” the audience into a sense of security throughout. According to the soundtrack notes on Frizzi 2 Fulci: Live at Union Chapel, Frizzi’s composition “ Seq. Special praise is due to stunt-man Ottoviano Dell’Acqua as “Wormface” from the film’s climax, as well as Fabio Frizzi, who scored ZOMBIE FLESH EATERS and went on to compose music for later Fulci works, CITY OF THE LIVING DEAD and THE BEYOND. A truly awesome stunt for its time, the scene has enough of a ludicrous concept and effective execution that, paired with Auretta Gay’s inexplicably nude body swimming around moments before, makes for an unforgettable viewing experience. But it’s that very suspension of narrative that allows for absolutely bonkers scenes like the shark-versus-zombie underwater throw-down that occurs in ZOMBIE FLESH EATERS. Fulci’s zombie shocker comes in the wake of George Romero’s 1978 undead classic DAWN OF THE DEAD (in fact, the title ZOMBI 2 was a blatant effort on producers’ part to capitalize upon the success of DAWN, released in Italy under the title ZOMBI), though the films could not be more different in style and substance.įulci is consistent in both his strengths and his flaws what his films lack in character development (Tisa Farrow, Ian McCulloch, and Richard Johnson have nothing to work with, script-wise) and plot, they make up for in stunning visuals and uncanny effects work.
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They discover an island full of zombies, and things pan out poorly for the group. So goes the beginning of Fulci’s career-renewing 1979 work, ZOMBIE FLESH EATERS.Įlisa Briganti and Dardano Sacchetti’s screenplay offers a straightforward, no-nonsense narrative: A woman and several acquaintances embark upon a search-and-rescue mission for her missing father. The figure blasts a golf-ball-sized hole in the head of the undead body. The opening 20 seconds has the audience staring down the barrel of a gun as a shadowed figure points at the camera and waits patiently for a bound and shrouded body to rise from a nearby slab. Three of his films made it onto the core list of 72 Video Nasties, the earliest of which is ZOMBIE FLESH EATERS.
With works spanning from giallo ( DON ’T TORTURE A DUCKLING) to spaghetti western ( MASSACRE TIME), he has achieved a godlike status with the grindhouse crowd in his decades-long filmmaking career. Also look out for The Beyond and City of the Living Dead in a similar vein.Cast: Tisa Farrow, Ian McCulloch, Richard Johnsonĭirector Lucio Fulci is a visionary of genre. I cannot recommend this highly enough for good old fashioned zombie related thrills.
The acting and dubbing are dodgy but don't detract from the zombie mayhem, the music is great with calypso music to greet the heroes and throbbing effects to welcome the zombies. The infamous eye scene whilst a bit creaky still makes the viewer cringe. The crazy underwater battle between zombie and shark is totally original and not surprisingly has never been tried since. The special effects are nice and gruesome, with fantastic zombie make up, great zombie attacks and loads of maggots and worms. Apart from being one of the first gore films I ever saw, it has no social commentary or hidden meaning and does not try to be a comedy (although some may argue with this). What makes this film so good are various factors. Things go from bad to worse as the zombies grow in number and various dismemberment, eye gouging, jugular bites etc ensue.
Menard has turned into a morgue where daily zombie killing has become the routine. After meeting a shark wrestling zombie en route, they arrive at Matul where things are not going well. This leads to two investigative journalists, including gore stalwart Ian McCulloch, with two holiday makers going to the Island of Matul. In Zombi 2 or Zombie Flesh Eaters (what a title!) as it was known in the UK, a ship drifts into New York with a very large, hungry zombie on board.
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Now this is how a zombie film should be made! Whilst Lucio Fuci never had the creative genius of Dario Argento in Profondo Rosso, Tenebrae and Suspiria, he certainly knew how to make a good old fashioned zombie/gore movie. Menard, and discover a terrifying disease which is turning the islanders into horrifying zombies which devour human flesh and seem indestructible. When they arrive at Matul Island, they find Dr. On the way, they meet with with Brian, a ethnologist, and Susan. Peter West, a journalist, travels to the Antilles with Ann, the daughter of the scientist. A zombie is found aboard a boat off the New York coast which belongs to do a famous scientist.
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